And notes will be dissonant or consonant based upon the context they are in. Harmonies can get pretty complex, especially when we get into overtones that begin to layer and mix. However, as you recognize more progressions you will see they too can contribute to the final musical texture. This is normal practice, but it is essential to use a unique melody line. Adding notes to our melody helps us create more tension in our music.Īs you start learning chord progressions you will see people use the same ones over and over all the time. This is what makes up our chords and the progressions that create our songs. HarmonyĪs mentioned once we start adding vertical notes to the horizontal melody we get into our harmony. A keen ear can find many similarities in songs once they are familiar with these changes. In some cases at the very front of the composition, other times it can be in the background.īut even though melodies are supposed to be unique, there are only so many intervals. The melodic aspect is generally the most important part of the song, this is the part you sing! The rhythm and pitch of the notes create specific phrases that stand out. Any notes that are vertical make up our harmony. With melody, you are only moving in a linear fashion, left to right across the sheet music. Our melody is the main line of notes that runs through our song. Often it is the rhythm that will let us know what genre or style of music we are in, based upon repeated parts of the drum and bass sections. Remember the rhythm is more about where the notes are placed and their patterns, as opposed to the tempo above. ![]() Or you may have all the parts playing the same rhythms within their notes. ![]() Sometimes multiple instruments and voices are singing different parts to the same underlying theme. RhythmĪlong with harmonic changes, textures are also heavily influenced by changes in rhythm and meters. Especially with all the use of modern syncopation, you will usually see rhythm involved. You will have to analyze the piece of music you are playing to judge which aspects of tempo have the most effect on the final piece. The articulation in the waltz tempo here makes a bigger difference. ![]() But the “ Blue Danube Waltz” is also in 3/4 time (and nearly the same BPM) and it has a totally different texture. However, the final texture of this piece is still similar to other soft rock hits of the era. The song “ Piano Man” is in 3/4 time which helps its jazzy lounge music vibe. Other times that meaning can also include the meter and how you articulate or play your notes! And all these pieces of tempo may or may not change the final texture. Here is a great example of the frustration of music theory tempo usually just means the speed of a piece. The range of notes, articulation, rhythm, harmony, and other aspects will change the final musical texture of the composition. And while it is not a difficult concept there are a lot of parts involved to get the final and overall sound quality.įor instance, when a piece has many instruments or parts it is said to have a thick texture, but there are more than just musical parts that affect it. When we talk about textures in music we are essentially dealing with how the sound is organized.
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